What pan means

So, it’s Steelpan Month 2025. It’s worth our while to remember this in these rather dark times during which self-confidence is frequently challenged.

Pan, you see, is among the great hopes of T&T in ways not easily recognisable to the recently introduced, uninitiated, or wholly ignorant. It fully deserves its place on our coat of arms, if not in all our hearts.

Scan this newspaper space over the years and note such emphasis in defiance of the lure of seasonal compulsion and expressions of surprise by occasional panyard tourists who argue about Panorama rules and results.

“When the oil is gone,” I asked the late Keith Smith as we walked along Independence Square sometime in 1985/86, “what else do we have to keep us going?” His response was an unintelligible grunt.

Some years later, I was seated on a plane next to a T&T government advisor on energy matters. I asked him the same question I had asked Keith. “For as long as the planet is viable, there will always be oil and gas,” he responded. Full stop.

I have told this story numerous times before partly to dismiss a notion of sudden revelation, novelty, or my own sudden realisation of pan as an important component of our developmental path.

The other motivation has always been to stress the instrument’s value beyond the beauty of music delivered – however much this is subject to matters of taste. Yes, you are fully entitled not to like pan music. But it’s more than the music.

Even so, if we wished to dwell on the point of the music alone, we could also speak about the industry and genius that reside behind the quality of music produced by our national instrument.

My son, Mikhail, has directed a soon to be launched video documentary on the life of musician Jit Samaroo as part of the Iconography series by Pomegranate Studios. View it and have this point indelibly engraved in your mind.

If you have been paying attention, you would have also noted that there is no shortage of commentary and debate on this aspect of the steelpan phenomenon – the music. But it’s still not enough.

Last week, I came across a video produced by social media content creator, Tisha Greenidge (@tisha.t.tish on Instagram), featuring young pannists of Arima Angel Harps and Diatonic Pan Academy responding to questions about what pan means to them.

Yes, this appears to have been meant mainly for the converted who will have little trouble understanding, but if you are curious about the subject of pan’s socio-cultural value, make sure you have a look.

Kim Johnson’s Illustrated History of Pan explores the question differently in its chapter on Tomorrow’s People, Von Martin’s Voices of Pan Pioneers muses retroactively, Patrick Roberts’ Iron Love sees pan in art via Desperadoes, and numerous others have explored the subject at different levels. But young Greenidge’s young pannists get straight to the point of what pan means or can mean to people.

Spending time among young participants of the Birdsong Vacation Music Camp last week  helped stress the point to me that the habit of saying we should use pan to keep young people occupied and out of trouble is to completely misunderstand its place in the world of music and culture.

Birdsong Academy music director, Derrianne Dyett, made the point that music education is valuable in areas outside of its worth in producing creative content. We have witnessed this in the way children from a variety of backgrounds interacted positively with each other at the camp, and the keenness with which they engaged otherwise tedious tasks.

The attributes displayed are not all unique to the steelpan. For example, last week’s concert by the Youth Philharmonic was also full of love.

I have been following young people and their music for years now and seen it repeatedly. Music has a way of doing that. But the steelpan which emerged post-emancipation as an act and enduring symbol of defiance against gigantic odds reaches even further.

So, yes, I am one of numerous advocates for monetising and realising somewhat latent economic value in pan via unique high-quality expertise, intellectual property, and our status as the Global Mecca of Pan. But there are other qualities not always recognised.

Ms Greenidge asked: “What is the first word that comes to mind when you think about pan?” Hear them: “vibe”, “courage”, “unity”, “expression”, “journey”, “dance”, “connection.”

Pause for a moment and think about anything else we do here that comes close to matching this. It’s Steelpan Month. No better time to focus on this question.