The Code is Orange

As is the known routine, numerous developmental babies will go crashing through open windows together with sometimes murky administrative bath water as the country transitions painstakingly from one political administration to the next.

In some instances, the stillborn will number among the casualties. In others, healthy, promising offspring will meet their doom. In the process, sustained social and economic opportunity is sacrificed in the name of newness and change.

Had circumstances been different, we could have afforded the folly of past eras, but the challenges of today do not offer abundant space or time to fail to advance the development agenda.

Our rich bounty of creative value and its potential for wealth creation is too often wilfully ignored. After all, what good is a STEM without the flowers and the fruit?

Thankfully, mention of the prospects for our “orange economy” featured occasionally during the recent campaign. There was little difference in platform rhetoric. This may signal room for future bipartisan support and administrative collaboration.

There are people and organisations who have been consistently making the case for greater recognition of the creative sector. The T&T Chamber, for instance, has significantly developed the concept with accompanying concrete initiatives in the areas of film, music, and fashion. It has also elaborated vital connections with tourism, software, and intellectual property. This is one wheel that requires no inventing.

Generally, the country has something of a head start in the areas of steelpan, mas’, and indigenous music. Yet, there is need for a more enlightened, self-reliant approach.

Some arithmetic has already been done regarding cold, net national gains, but the calculations associated with chemistry are lacking.

It was promising that the Global Trinidad and Tobago umbrella - under which exporTT, InvesTT and CreativeTT were to be relocated - had been conceived and quite recently launched.

Yes, there is always room for tweaking and refinement in achieving the required synergies. But, to me, the move represented long-awaited awareness of national value through a harmonising of official, national effort in the creative sector.

It is however also true that private entrepreneurship in this field has long been practised and, in some cases, highly refined. There are people who have never sought or acquired official support who have made their mark and are contributing to national wealth in the process. Let’s hear from them.

But a single coordinating mechanism for exploring all available options and creating an official framework to allow initiatives to be fruitful makes eminent sense. Global Trinidad and Tobago is a viable baby that should not be exposed to an open window for disposal.

Fine, the powers that be may wish to have folks involved among whom they feel more comfortable – though the code here is “orange” and not “yellow” or “red.” It is a shade somewhere in between those primary colours.

This newspaper space has been repeatedly employed to promote greater awareness of what is happening in the creative field outside of the headliners in pan and music. There is an abundance of literature, theatre, dance, and the visual arts.

Pan remains the best thing we do in this country. There is little debate there. But also scan what is unfolding among young people in the wider field of music. This is not happening in small bits and pieces. There is a virtual avalanche of young musical talent crossing the traditional divides and presenting itself in greater frequency throughout the country and region.

Hopefully, when there are people assigned to action this it will not include those who will be overly surprised. We have had line ministers, public servants, and sundry officials who are clueless about what is happening. You don’t see them at the shows. They are absent. They are blissfully unaware.

Additionally, having renewed my own embrace of visual art, I have become increasingly aware of the vibrancy of this field of artistic endeavour. There are exhibitions, markets, online ventures, tuition opportunities, and an entire world that has remained largely ignored (in some respects thankfully so) by officialdom.

Finally (as if there isn’t so much to say about today’s subject), have a look at what is happening in the literary field. Who was or wasn’t at the 2025 fifteenth edition of Bocas LitFest? This is a premier annual event. Aside from this, there are numerous launches, readings, workshops and other activities that tap into the literary assets of our country.

Space has run out for me yet again. But check our features pages and the weekend GML supplements. Tell me what you see. If you don’t see great promise, your eyes aren’t working properly.