Monday, 24 August 2026

Steelpan survival

Some of us have had the time, patience, and interest to repeatedly consider the late Merchant’s 1985 suggestion that the steelpan might have at that time been “in danger.”

Now, we have lived long enough to have put such an assertion to relatively comfortable rest. For, the young people who played then and who, some proposed, were not turning up in the audience, are now the “elders” sitting in the stands while new generations of young people play.

If you did not attend in person, you hopefully had a chance to sample online what was on offer at the Queen’s Park Savannah on August 11 – World Steelpan Day.

You would have had the opportunity to challenge that belief of 41 years ago that had been fueled by self-effacing fears generated since the turbulent birth of the instrument

There has been enough time, since then, to suggest that the turnstile of participation has rotated more than once. No. Pan is not in danger, at least not in the way of endangered natural species.

If there is danger of any kind, it would have to come from wilful vandalism. For, the current trajectory is progressive in nature and, in my view, irreversible.

By “wilful vandalism” I do not mean somebody taking a jackhammer to a pan. I am hinting at the likely impact of collective neglect, squander, politicisation, under-investment, mismanagement, and other actions to dismantle the gains that generations of people have painstakingly achieved.

Last week, I made the case that the steelpan is one of the world’s most extraordinary “renewable” resources. Oil and gas are extracted and consumed. Their reserves diminish. Upstream and downstream activities rely on expendable resources. They recede and disappear when supplies run short.

Pan is different. Every time a generation learns to tune, arrange, compose, perform, teach, manufacture, design, organise or innovate, it adds to the lineage. Every time we invest in pan, we increase the reserves.

If you have time, try calculating where else the same musical instrument is played as pervasively on a per capita basis than the steelpan is in T&T.

That, surely, is convincing evidence of renewable wealth.

Last week, I also proposed that one of the key factors with the potential to refute the "renewable" argument was chronic reliance on key non-indigenous inputs such as the drums themselves.

Akua Leith, who now chairs our country’s Steelpan Geographical Indication Board, does not agree. I had promised last week to come back to this and an interview with him helped bring further perspective to the argument.

He does not regard access to drums and other manufacturing materials as an existential threat.

Manufacturers can easily source inputs internationally – from more than one reliable source. His greater concern is precisely the same resource I have considered to be the least problematic – the people.

The Steelpan of Trinidad and Tobago

Who will make the pans? Who will tune them? Who will carry the knowledge forward? Who will regard manufacturing not as some quaint, exotic pastime but as a respectable and rewarding career?

Leith’s concerns reflect genuine challenges. But they are hardly evidence of impending extinction. Indeed, the evidence points in the opposite direction.

Young people are still entering the creative world of pan in large numbers. Spend time with some of our more reputable bands and have a look at their child and junior band programmes.

There you’ll find music education, instrument handling, playing skills, mentorship, and support in other areas of need.

Younger players are teaching others. Teaching institutions and manufacturers are discussing closer relationships.

Contemporary musical arrangements delivered by young people are bringing new audiences to the instrument.

We have also acquired a geographical indication, giving us a mechanism for protecting the authenticity and quality of locally made steelpans. This can serve to stimulate greater awareness of intellectual property value.

Dr Savitri Rampersad has meanwhile been exploring the potential of pan sound itself as a wellness resource. She has argued that the instrument’s unique, distinctive sound could have applications in a trillion-dollar global wellness industry.

If there can be any significant danger, therefore, it is not that pan will disappear or that we will somehow run out of creative imagination.

It can however be threatened if it is deliberately starved, marginalised, and otherwise suppressed.

Pan does not need to be rescued from its apparent future. The natural course of events has taken it forward. It needs to be protected from some of us.

Rickey Singh: A Voice for the Caribbean

                                                                 Wesley Gibbings

Caribbean Broadcasting Union

57th Annual General Assembly

Georgetown, Guyana

Wednesday August 19, 2026

Distinguished delegates of the Caribbean Broadcasting Union, honoured guests, members of the Singh family, media comrades, ladies and gentlemen.

We gather today in Georgetown - on the very soil from which Rickey Singh came  - to do something that is, in truth, somewhat overdue but yet perfectly timed.

We are assembled to honour a remarkable Caribbean journalist -Rickey Singh - and to celebrate his induction into the Caribbean Broadcasting Union Hall of Fame at a time when journalistic skill and judgment are indispensably required to make sense of so much that is around us.

It is thus abundantly evident that this tribute represents more than commendations in support of an award. It is about memory as constructed through first and second drafts of history. It is about public service through the journalistic creed to seek and speak truth.

And it is about the responsibility of those who use words to help people understand themselves.

In our region and beyond, there are few better human representations of such pursuits than our late colleague.

Guyana, from whence he came, has always been a country shaped by water. Yes, the often turbulent, even deadly Atlantic. But equally so its rivers that carry more than boats and commerce but also chapters of memory.

The Demerara, the Berbice and the Essequibo and all their various tributaries have witnessed empire, slavery, emancipation, indentureship, political struggle, and independence.

They have carried pain and sorrow from one generation to another, but they have also borne hope and aspirations. So too have the blades of grass and the trees reaching towards our so often troubled skies.

It was from such a landscape, and its accompanying peoplescape, a young Rickey Singh emerged.

He was born in Canal Number Two Polder – an agricultural community across the bridge about an hour away from here nowadays - on February 1, 1937. He lost his father before he had the opportunity to know him, and his mother while he was still a boy.

Such losses can harden a human being. Such circumstances, in the face of a changing and troubled world, and at that time in the throes of global military conflict, can harden hearts and make people indifferent to human need and suffering.

In Rickey’s case, they seem instead to have deepened compassion. This is reflected in his clear and persistent understanding of the loneliness of the vulnerable and the quiet courage of ordinary people.

His mother, Jessie, had spoken out for women whose work was undervalued and whose dignity was too easily overlooked. She understood something that her son would carry throughout his own life: that injustice does not become acceptable simply because it has become customary or widely ignored.

For more than six decades, Rickey Singh continued the conversation his mother had begun through his journalism, his activism, and his interpersonal relationships, with all due scepticism, strong personal convictions, and an unbending sense of right and wrong.

He carried such a predisposition from the cane fields to newspaper offices, from government buildings to CARICOM summits, from the Caribbean to the wider world, all connected through the veins of history.

Presidents and prime ministers heard, and most times, listened to him. Diplomats understood where he was coming from and often referenced him. Journalists listened to him and some wanted to be like him. But so too did ordinary citizens of the Caribbean pay attention to Rickey - people who wanted someone to tell them honestly what was happening in the world around them.

Martin Carter once wrote:

“I do not sleep to dream, but dream to change the world.”

Those words speak to something fundamental about Rickey Singh. His journalism was never content merely to observe and report on the Caribbean. He wanted, through his work, to change the way we understood it - and, in doing so, to change the way we understood our responsibilities to one another.

For Rickey, journalism was never a comfortable seat from which to watch history pass. It was participation. It was active citizenship.

Carter gave us another brief but powerful reminder: “All are involved!”

Rickey Singh understood that instinctively. He knew that an election in Guyana could alter political thinking in Barbados. He knew that a constitutional crisis in Jamaica mattered in Port of Spain. He understood that the pain of Grenada, the uncertainty of Suriname, the aspirations of Belize, and the trials of Haiti were not foreign matters.

They were part of the same Caribbean story. To him, the newsroom dichotomy of so-called local and regional news was a fiction that omitted critical elements of a united Caribbean paradigm. Think of this in 2026. Take a minute to reflect on how correct he was.

Indeed, such consciousness frames the quality of his journalism. Some reported what had happened. Rickey asked what it meant. Others described the crisis of the day. Rickey searched for its causes and its consequences. Others pursued the headline and the deadline. Rickey followed its impact on human history.

He began as a young reporter at the Guiana Graphic, where the newsroom became for him a classroom, a family, and a platform from which to serve the public.

Very early, he recognised something that many of us take much longer to get: the Caribbean cannot be understood one territory, one island or one headline at a time.

The sea does not merely separate us. It connects us. The sky in its limitlessness establishes borderlessness and common ownership.

That conviction found perhaps its most eloquent expression in the title of his celebrated newspaper column: Our Caribbean. The title itself is declarative of a region that belongs to all of us.

That the farmer in St Elizabeth, the fisherman in Gouyave, the teacher in Castries, the hunters of the Rupunini Savannahs, the steelpan arranger in Port of Spain - all belong to the same larger story.

Rickey Singh invited us to see the region not as a collection of fragments, but as a community with shared responsibilities. In the story of the parts, he saw a sum that was greater even than the whole.

In that sense, his journalism reflected the profound insights of another great Guyanese, Wilson Harris. Harris spoke of the “creative fusion” of what is absent and what is present.

That is also what serious journalism does. It searches for people and experiences that power chronically ignores. It listens for the voices that do not always enter official records.

It understands that a country is not defined only by its leaders, its declarations and its ceremonies. It is also defined by workers, farmers, families, migrants, communities, and citizens whose experiences may never otherwise find their way into the official account.

Rickey’s recognition of this was reflected in his belief in the assertion of human rights as both universal and indivisible. His foundational activity with the Caribbean Human Rights Network proved the point at a time, such as now, when rights had slid, almost silently, off the agenda of indispensable developmental assets.

The recently-launched Rickey Singh Initiative for Excellence in Journalism by the Inter-American Commission on Human Rights (IACHR) establishes important links connecting Rickey’s journalism, his human rights advocacy, and his sense of a hemispheric space within which the Caribbean does not reside at the margins.

There is a lesson for every journalist as Rickey at his often-irascible best would contend that no single article, including those produced by him, can contain the whole truth of a society.

No reporter can explain every dimension of a crisis. But every honest account can contribute another piece to our understanding. These parts that are greater than the whole.

Derek Walcott reminded us that if we break a vase, we often realise that “the love that reassembles the fragments is stronger than that love which took its symmetry for granted when it was whole.”

Rickey Singh understood that journalism requires us to keep asking, keep listening, and keep searching for the missing pieces in order to re-assemble them.

At Caribbean Contact, which is where I first met him, he helped create a regional meeting place for ideas. It was a publication with limited resources but an enormous purpose.

There is a current effort to have Rickey’s collection of every edition of the newspaper digitised, stored, and made available to all generations for all time. In my view, this would constitute an enduring tribute not only to a late, great Caribbean editor but to an effort to engrave independent journalism as part of our region’s institutional landscape.

Though I am aware of interest by a Canadian university, here is an assignment for a Caribbean institution - as part of a greater effort to capture memory as provided by mass media.

With the great mentor and journalistic exemplar

You see, from the Port of Spain office of Caribbean Contact, Rickey helped give shape to a regional conversation about politics, faith, social justice, democracy, and Caribbean identity.

And he did something else that is perhaps even more important. He helped other people find their voices. Many young journalists and writers discovered their possibilities because Rickey Singh encouraged them. He saw potential before others saw achievement. I was part of one such cohort in the early 1980s.

He understood that editing was not merely about correcting grammar or improving structure but also about cultivating confidence and context, rooted in unique Caribbean realities.

He did not merely publish stories. He nurtured storytellers. That is a profound part of his legacy, that he helped construct a community of Caribbean journalists – one that needed to be cherished and protected.

Then at the Caribbean News Agency (CANA) he partnered with and helped mentor many of today’s media leaders and accomplished practitioners.

Rickey didn't merely compose and publish Caribbean journalism; he helped build the institutional structures through which Caribbean journalists could work collectively.

As founding President of the Caribbean Association of Media Workers, he helped give practical meaning to regional solidarity among media professionals, and brought meaning to freedom of the press even as media development required a stronger, more socially aware cadre of professionals.

Significantly, he understood that press freedom required collective action that transcended territorial lines. The threats faced by journalists do not stop at national borders, and therefore the defence of journalism must cross those borders as well.

Martin Carter had by then provided stark context in the admonition that “a mouth is always muzzled by the food it eats to live.” Through this, the lessons of silence achieved through fear and dependence found expression in the inaugural tenets of the CAMWORK mandate.

Rickey Singh provided a living example of the costs of resistance. His criticism of authoritarianism in Guyana placed him in personal danger. Elsewhere in the region, work permits became problematic mainly because his commentary was inconvenient to those who preferred praise to scrutiny.

Exile, uncertainty, and official displeasure became familiar companions. Yet he continued. Those of us who communicated with him knew he was not prepared to address intolerance through hatred. He answered it with persistence and a refusal to surrender to self-censorship.

There he was: asking the difficult questions and insisting on public accountability even as the region he loved navigated some of its most difficult chapters.

He chronicled the overthrow of Sir Eric Gairy and the revolutionary promise that captivated Grenada. He reported on the murder of Maurice Bishop and the violence that followed in October 1983.

He wrote courageously about the assassination of Walter Rodney and refused to allow difficult questions to be buried beneath official explanations.

He covered the attempted coup in Trinidad and Tobago in 1990 with constitutional democracy as a central theme of his reporting. And, most of all, there appeared to be an understanding – which remains true today - that these were not isolated emergencies or single country events.

The honour was mine to speak on the contributions of Rickey Singh

Breaking news we are all taught is there as a first interpretation of occurrences that eventually become history. Journalism, against such a backdrop, is required to go beyond accounts of what happened.

It should anticipate the questions that future generations will need to ask. Wilson Harris once explained that “the block imprints of history need to be re-opened…” History, his work suggested, is not a static artifact but a living entity that requires re-opening and re-packaging.

Such is an essential role of journalists. We are charged, so often, with re-opening the past and reviewing official versions. In it lies a duty to ask difficult questions about who was heard. Who was ignored. Who paid the price.

True, we often get this wrong. Rickey knew this well, and he was usually willing to acknowledge such a shortcoming in his own practice. Yet, his value to others was the admonition to never allow history to become a closed chapter.

Few understood this better than a cadre of regional journalists who roamed alongside Rickey as they trailed presidents and prime ministers from capital to capital. Building journalistic memory and calling out discrepancies wherever they found them.

But they were not members of any official entourage. They were there as journalists, accountable to audiences interested in public disclosure and truth-telling. Rickey earned our respect not through any acts of arrogance but through experience and integrity.

Less experienced journalists listened to him because he understood that credibility is accumulated slowly - one report, one correction, one difficult decision at a time. And perhaps that is why his legacy is especially relevant now.

Today’s world of instant news and information – packaged in sizes fit for single bites – challenges such a mandate as never before. Rumour can reach thousands before facts have been checked. Opinion is routinely presented as evidence. Technology can amplify truth - but it can also amplify falsehood just as efficiently.

However, core journalistic principles remain exactly the same – verification, fairness, balance, and a disciplined effort to keep personal bias from distorting the account.

Had Rickey been with us this evening, he would have enlivened this assembly not with a discourse on the impact of technology, but with an examination of how facts and truth remain constant fixtures on our journalistic agendas.

Speaking of technology, some of us here this evening would recall CANA’s introduction of Tandy PCs in the 1980s and Rickey’s rather proud and conspicuous proficiency at conference news centres. So, it cannot be said he was among the Luddite generation with a prolonged preference for manual and electronic typewriters.  

Yet, he would be clear that while technology changes. Ethics do not. Platforms change but the obligation to verify remains.

The courage to question remains. The discipline to listen remains alongside the humility to correct errors. And the responsibility to place the public interest above personal advancement remains. Rickey paid a high price for the latter.

I spoke earlier about Walcott’s fragments. But from those fragments, Caribbean people created new communities, new languages, new music, new traditions, and new ways of belonging.

The impact of Caribbean journalism can help gather those fragments, re-assemble them even. Rickey’s newspaper columns, addressed most of these aspirations.

He reminded us that the Caribbean’s strength lies not in pretending that our differences do not exist, but in learning to understand them. Walcott gave us another beautiful phrase: “All of the Antilles, every island, is an effort of memory.”

That is also a way of thinking about journalism. Every accurate article is an effort of memory. Every careful broadcast is an attempt to prevent people and events from disappearing. Every interview preserves some fragment of public life that might otherwise be forgotten.

Walcott spoke, too, of “islands not written about but writing themselves.” Rickey Singh was one of those writers who helped the Caribbean write itself.

He wrote about politics, certainly. But he also wrote about people. He understood that public life is not made only in parliaments and conference rooms.

It is made in villages and markets, schools and farms, churches and studios, newsrooms and family homes. He understood that the history of the region lives in ordinary experience.

He did not belong only to one country. He belonged to the Caribbean.

And there comes a moment in every life devoted to public service when achievement begins to give way to legacy. Not because the work is finished. But because the work has passed into the hands of others.

There is where Rickey Singh’s work now resides. It rests with the journalist who refuses to change a story because a minister objects. It rests with the editor who insists that facts matter more than convenience.

It rests with the broadcaster who asks one more difficult question. It rests with the young reporter who understands that public trust is more valuable than personal popularity.

Martin Carter gave us the words: “Death must not find us thinking that we die.” Those words fit today’s proceedings. Because Rickey Singh’s voice has not disappeared. It lives in the standards he defended. It lives in the journalists he mentored. It lives in the institutions he helped build. It lives in the questions his work taught us to ask.

As we gather here in Georgetown  - where the Atlantic meets the rivers, and where so many Caribbean journeys have begun - let us return to the image with which we began.

The rivers continue their patient movement. They join distant places without asking permission. They carry memory - quietly and persistently towards the sea. Truth moves in much the same way. It may be delayed. It may be obstructed. It may be denied. But if people are willing to protect it, truth continues to find a way forward.

For more than six decades, the people of the Caribbean entrusted Rickey Singh with their stories. There can be no higher calling for a journalist. And there can be no finer tribute.

Today, therefore, we honour not simply a journalist. We honour a regionalist. A teacher. A mentor. A builder of institutions. A defender of press freedom. And, above all, a guardian of truth.

Rickey Singh gave his life to the Caribbean. And the Caribbean is richer because of it.

Thank you. Thank you. Thank you.

Steelpan survival

Some of us have had the time, patience, and interest to repeatedly consider the late Merchant’s 1985 suggestion that the steelpan might have...