* First published in the T&T Guardian on December 2, 2020 and should be followed by a read of this Man Overboard!
There are some subjects best left to the poets and dramatists and musicians and visual artists whose deft touch can straddle emotion and the rigours of reason at the stroke of a single moment or line. Issues well out of the reach of the disciplines of law, politics and journalism. Equations that defy the arithmetic of known logic and the dicta of organised religion.
Since the events of last week, I have therefore been turning to Victor Edwards’ Takdir on the question of migrant journeys. To Wayne Brown on matters of the troubled ocean. And to Pablo Neruda on love and the sea.
To Victor I present the makings of a script that echoes Gurusammi’s fateful voyage. To Wayne, a child of the sea. To Pablo, the troubled strait that took its name from a genocidal European explorer.
For Victor I offer as opening scene three little boys set sail on the ocean – Aylan (3), Felipe (8) and let’s call the other one Hugo or Pablito.
Pablito, the landlubbing seafarer. We don’t know his age, but he wore a Spiderman t-shirt in the newspaper. We couldn’t see his face because he kept staring at the tears that reached the wet ground when he landed.
Sternward, in the growing and increasingly dark distance, can be seen the ruinous flames of a collective death – Joshua’s fabled Hazor, to those who this season sing of Baby Jesus and claim to know why.
To the bow, the tentative promise of life. Aylan’s parents raised $5,860 for the trip. His mother wears a life vest later found to be “ineffective.” She dreams not of shopping malls and romantic rendezvous with strangers speaking strange languages but yearns for peace and safety.
Little Aylan wears a red t-shirt and dark blue shorts. New suede shoes for the journey to a new life. His mother sings him lullabies through the stormy night.
Felipe has not stopped coughing since they left the soggy, wooded makeshift port. He has had the flu. He’d earlier been separated from his parents for “processing” and now he is running a high fever and shivers each time the rain comes down on the open vessel.
Then there’s Hugo. He’s hard to miss as the boat sways wildly in the wind and rain and Mr Spiderman casts imaginary webs to tame the wild ocean.
You put them all on an open pirogue under an angry sky, at which point all that went before and all that happens after pale into insignificance as counterbalances on perspective. Three little boys on a boat in the ocean.
You wonder if in freezing the moment and stripping it of context you reach the core, the raw elements of what adults describe as “rights.” At the very moment that the giant wave arrives there is little behind both horizons, since though there is a relativism attached to many rights, there is an absolutism that flows from all – the “fundamental” cast in law versus the universality and indivisibility of human rights.
The experts make the distinction far less clearly than the water colourist at her palette. Suddenly, “how dem reach there?” and “who put dem there?” become as irrelevant as the burning shore to the west and the three cloudy peaks to the east.
There is no “other take”. No “perspective” apart from the fact of three little boys on a boat on the ocean. Nicolás, in thick rubber boats had kicked the boat from its moorings and turned away while muttering insults at people who weren’t there.
On the other shore, faceless, leaderless “authorities”, regular folks, and friends of the sea shouting cusswords and waiting with steel-tips to kick the vessel back. No more room at the inn. No more space for any boarders. “Send dem back. Send dem back” – as elections slogan. As potent as the command to a firing-squad. As murderous as official confusion and cluelessness.
Anna Levi writes: “Pablito like an ornament in his birth blanket/Asleep with his angels/Fallen overboard/Tumbling with the tides/A moment of silence.”
Sometimes, you turn to poetry and music and art to explain and to help turn away from depravity. Sometimes, you think of three little boys on the ocean. And, suddenly, they are gone and there is nothing and no one else in the world.
Footnote: In memory of Aylan Kurdi of Syria and Felipe
Gómez Alonzo of Guatemala. Thinking of “Pablito” of Venezuela.