So, World Steelpan Day was observed yesterday, and we are in the midst of Steelpan Month.
By now we should all know that the instrument
is much more than the music it delivers. That we frequently need to step back
and ask ourselves: What in the manner in which we have clumsily begun to
assemble a nation complete with intrigue, eternal conflict, and chronic confusion,
have we done to deserve so handsome a bounty?
What exactly have we really done by creating
this musical instrument here?
The answer, I propose, is not simply the development
of a remarkable musical instrument. Nor is it merely the spectacle of Panorama or
various spectacles throughout the year that fill venues and excite communities
and people wherever and whenever they assemble here and all over the world.
This space has been frequently employed to propose
value that extends to the productive mobilisation of human resources, creation
of a model for social organisation, and establishment of a unique pathway for
the generation of national wealth.
The fact is we have produced one of the
world's most extraordinary renewable resources. It is not, sadly, that there generally
exists in T&T any particular penchant for the sustainable. We have, as a
nation, thrived on the expendable to the extent that when regenerative options
present themselves, they are all too easily discarded.
But more on solar farms fed by a limitless
input and expendable carbon resources at another time.
![]() |
| Exodus Steel Orchestra - Winners Panorama 2026 |
And an identical query put to late energy
guru, Barry Barnes, who responded that for as long as the planet remains viable,
the oil and gas will continue to flow.
But the point of the questions was never
really about hydrocarbons. It was about national imagination and wealth creation
transcendent of the long-recognised and known. What, we now ask far more frontally,
can we build that cannot run dry?
An answer appears to have lingered before
us, without acknowledgement over all these years.
Less than a year ago, while paying tribute
to pan revolutionary, Jit Samaroo, and referencing the great pan innovators,
tuners, players and arrangers over the years, I suggested that the steelpan is
one of the greatest available tools to have converted adversity into enduring
national resources.
Think of it as an economic asset emerging from
people with few material resources but with what has been manifest as unmatched
ingenuity.
Its evolution created not only an
instrument but entire systems of knowledge. Some essential ingredients include tuning,
blending, arranging, composing, performing, teaching, organising and
innovating.
Generation after generation has added to
that inheritance without apparently exhausting it. If you have stuck around
long enough you would have witnessed never-ending transitions. Renewal in its
purest manifestation through the people who comprise the steelpan community.
Unlike oil and gas, every time we invest in
pan, we increase the reserves. Isn’t this what renewable wealth looks like?
A notion of national wealth must include a
sense of economic potential especially in ways that are sustainable over the
long-term. By associating such potential with provably beneficial elements such
as capacity in steelpan manufacturing, enhancing the tourism experience,
providing exclusive training grounds, and leading new initiatives in research
and development.
As the indisputable Mecca of Pan, T&T
cannot allow this momentous opportunity to pass. Happy Steelpan Month!
POST-SCRIPT: I join with the many others
who are lamenting the loss of artistic genius, Willi Chen, in recognising his valuable
contribution to Caribbean art in virtually all its facets. More than once, his
work reflected the value of pan.
“But now we have triumphed with the steel
pan as our renowned musical instrument indigenous of the century; through years
of dedicated practice, and continuous innovative approaches, to make the
invention more sophisticatedly improved, for the sonorous delicacy of its
melodious rapture, the most cherished musical instrument in the modern world - our
steel pan” – Willi Chen, Trinidad and Tobago Guardian July 20, 2011.










.jpg)